September 30th and October 1st 2017, starting at 3:00 pm
PROGRAMME
15:00 – 15:45
Christa Biedermann
BÜROTRICK
03:40
2011
INFRONT and BEHIND the camera: Christa Biedermann
Langeweile im Büro?
An office drone finds fun through gender. (Transgender Film Festival 2013 San Francisco)
www.christa-biedermann.jimdo.com
Christa Biedermann
ONLY FOR YOU
6:40
2017
Performance/Music video
INFRONT and BEHIND the camera: Christa Biedermann
Two women dancing everywhere where ever …
Hans Michael Bittner
POP
02:09
2015
Music/sound: Waylon Thornton
Someone who cannot sing is a Pop singer. Someone who is a bad musician is a Pop musician and someone who makes Pop art is a poor painter. This is a Pop film about Pop with Pop colors, Pop Music, Pop TV Screen, Pop Fashion and a homage to Georges Méliès. Starring my family people (wife, father, uncle, grandfather and his father, grandmother) it was poorly conceived and pimped with bad Pop Music to be a real Pop Art Video.
Kelsey Boncato
IDESIA – AIN’T OVER
03:06
2017
Music/sound: Sophie Dimitroff, Daniel Oldham
Co-Director: Daniel Oldham
Animation: Kelsey Boncato
Assist Camera: Lena Dimitroff, Phyllis Dimitroff
idesia – AIN’T OVER is an experimental music video of consciousness through indigo hues; a young woman discovers strength in an internal world while daydreaming on a train. Animated dreamscapes overlaid on dyed canvas merge geometric and organic forms. Combined with layered analog synths, bass, and ethereal vocals, idesia – AIN’T OVER evokes themes of persistence, yearning, and memory.
Linda Christanell
ZUM GEBURTSTAG
04:50
1985
Originalmaterial S-8 Film
Konzept, Realisation: Linda Christanell
Musik, Ton: Anestis Logothetis
Erinnerungsreste und Wunschstücke geben dem Nonsens eine Färbung.
Waltraut Cooper
DONAUWASSER
01:46
2007–2008
Lichtinstallation, Österreichisches Parlament
Waltraut Coopers Licht- und Klanginstallationen sind Reaktionen auf architektonische Gegebenheiten von öffentlichen und privaten Orten. Das Licht als künstlerisches Medium von Waltraut Cooper akzentuiert architektonische Elemente und ermöglicht durch bewusste Setzung neue Raumwahrnehmungen. Licht wird zum Träger abstrakter Begrifflichkeiten und Vorstellungswelten wie in der interaktiven Installation “Date” oder der “Regenbogen Trilogie”. Waltraut Cooper hat zahlreiche dauerhafte und temporäre Installationen im privaten, öffentlichen und musealen Raum realisiert. Ihre poetischen Werke bilden sichtbare Zeichen im urbanen Raum. (Parlamentsdirektion Robert Zolles)
Kuesti Fraun
GERO PEMPELFORTER
06:00
2016
Credits: Andreas Uehlein
Portrait of a man and his passion for art.
Ingrid Gaier
ART EDUCATION
00:47
2013
ART EDUCATION ist ein Film, der direkt auf 35-mm Film gezeichnet bzw. gestempelt wurde. Dias, die aus dem gängigen Lehrfundus von Kunstinstitutionen stammen, werden abgespielt und wurden direkt auf den Filmträger montiert. Ein Kopf spuckt in wahlloser Reihenfolge den Lehrkanon der Kunstgeschichte aus. Eine ironische Frage, wie Kunstarbeiten zur gesellschaftlich anerkannten und tradierten Norm werden.
GRAF+ZYX
POOR CAT
Die erstaunliche Verlagerung einer künstlerischen Perspektive
01:30
1982–2008
Flash-Animation – Video, Musik und 2D-Animation
http://amok.ix-o.com/poorcat
2008 added to the Rhizome ArtBase
Text, Grafik, Animation, Video, Performance, Komposition, Instrumente, Stimmen, Programmierung, Produktion und © GRAF+ZYX
Die Flash-Animation POOR CAT synthetisiert unterschiedlichste künstlerische Ansätze der digitalen Produktion zum audiovisuellen, siteübergreifenden Webclip.
Gewidmet unseren Freunden Goldmund, Mister Spok [der Würfelraumer / the cube (starship)], Tiger, Lu Rid [König des Universums / king of the universe], Mauser, Missis Bärli [mit freundlichen Grüßen / sincerely yours], Mopsi und Schrödingers Katze.
Grace Graupe-Pillard
PAINTING EXPOSED
03:24
2010
Score: Wolfram Tones, Kevin MacLeod
Artworks: Dale Chihuly, Doug and Mike Starn, Exit Art, Grace Graupe-Pillard, William Kentridge
This video is the fourth in a series of an artist dancing exposed and vulnerable. Art openings, pre-painting rituals, the act of painting, and the tangled world of negotiating the “business” of art is the focus of this video.
Barbara Anna Husar
WITH ALL MY TRILOBITS
03.46
2014
Music/sound: Thomas Wagensommerer, Rosi Rehaug Rehformen aka Reka Kutas
Credits: AIKO Kasuko Kurosaki, Thomas Jelinek, Lena Kienzer, Valentin Sam, Bernadette Stummer
2 iron meteorites, 55 grams carbon, 70 grams silicium, 5 petrified trilobites, 13 human trilobits, many flying eggs, 13 mortarboxes, 26 hard disks, 7 chippans, 7 salad spinners, 11 hard drive engines, 22 stamped trilobites, 18 carabiners for deep sea fishing, 12 read/write heads, 21 hard drive magnets, 12 golden longnecked deep fryers, franz and some silicon sand.
Reanimated index fossils of the Prehistoric Archaeology are interacting with current data storage media. Trilobites are the most divergent group among all extinct creatures. The three-lobed arthropods with exoskeletons inhabited our oceans for 300 million years…
Nikolaus Jantsch
IO
04:40
2017
Music: Attic Giant
IO is an animated music video of the band Attic Giant, which is its debut song. The Video shows a combination of direct on film painted background scenes with hand drawn animation.
Kasumi
INFINITE JEST
03:59
2017
INFINITE JEST exhumes the visual and auditory components of our culture and reconstitutes them not as the products of the entertainment industry, but as the exuberant and bold representations of human persistence and joy within a dying universe. The uncannily familiar cast of characters, relics of a fabricated and imagined America, are set adrift in the subconscious mind of its creator, and materialize in full color on the screen.
www.kasumifilms.com
16:00 – 16:45
Renate Kordon
RAUMFAHRT
Original 16mm Film
04:50
1989
Die Filmmacherin als Raumfahrerin, als Kosmonautin, deren Kamera wie auf einer Umlaufbahn durch den Ort des All-Tags gleitet, um dessen Koordinaten abzutasten. © Bady Minck
Dirk Koy
FRAUTONIUM LOMBOK
02:31
2017
Music: Yello, yello.com
Mix: Ian Tregoning
Animation: dirkkoy.com, instagram.com/dirkkoy
A music visualization which was designed only by the use of circles.
Dirk Koy
ZURICH 2.0
03:07
2015
Music/sound: Niki Reiser
Immersive journey through a digitally manipulated city: Zurich. The artist Dirk Koy presents an interaction between reality and its digital reproduction. Through the technique of photogrammetry and animation, this 360 film is like falling through a glitch and entering in a fragmented and hyper digitalized new dimension of the city.
Anya Liftig
LAMP DANCE NUMBER ONE
05:09
2017
This is a dance duet with a broken IKEA Tertial Lamp. Filmed in a broken dairy farm in Virginia.
Isabel Pérez del Pulgar
ACCIONES NÓMADAS
03:53
2016
Video, performance, sound: Isabel Pérez del Pulgar
The structure of dual thinking causes the components that order it to be established in a bipolar way: spirit – nature, mind – body, white – black, man – woman, true – false. A hierarchy is created where meanings, in absolute terms, correspond to the good and bad, to the positive and negative. In this way identities are constructed under assumed biological differentiators derived from their nature. It has also been constructed with ideological presuppositions. A sociocultural construction that establishes a social order perpetuating the dominance of one group over another. The fragmentation of the image creates a kaleidoscopic vision that reflects, as a mirror, the inner gaze full of subjectivities, doubts, questions and fears towards one’s identity.
Jörg Piringer
P_A
03:41
2017
P_A is video from the darkvoice project.
Darkvoice is the obfuscation of language. Darkvoice is the code-talker that no one understands because his language never existed. Darkvoice is the ultimate self-censorship, the undecipherable message. Darkvoice is the sound of the new world order, the private language of the net.
Johan Rijpma
ELASTIC RECURRENCE
02:02
2017
From all directions gravity pulls on the shards of a breaking dinner plate. While the pieces of the plate expand into space, elastic strings try to draw them back together. A self-replicating cycle of falling and retracting follows from the dead center position of each piece. Even though this expansion of matter appears to be never ending, the new connections seem to unify all the fragments into a recollection of the initial form.
Johan Rijpma
EXTRAPOLATE
02:00
2016
This work was created with support from “Animation Artist in Residence Tokyo 2016” part of the Agency for Cultural Affairs, Government of Japan (Bunka-cho) “Project to invite overseas creators of media arts 2016” and the Mondriaan Fund.
In this hand drawn animation a line is being extrapolated through a grid. When the line surpasses the boundaries of the grid, the process spreads to and reflects on its surroundings. Beyond each boundary the extrapolation of movement is causing deformation in a systematic but speculative way.
STATION ROSE
VIDEOCLIPS
02:05
1994
Editing: Elisa Rose
Music: Gary Danner
Videoclips for STATION ROSE’s CD-ROM “Icons, Morphs & Samples” 1994 and the homepage www.stationrose.com, 1995.
Tristan de Sade
WOLFAGRAM
03:39
2017
Reward me if you can, and punish if you must – for building you enchanted castles, or leaving you in the cold rain (for that matter I do not care). Just don’t forget one thing … I am running home to you!
Roland Wegerer
THIS IS MY VOICE
07:35
2010
The video performance THIS IS MY VOICE shows a stuttering chorus. Ten choreographically identical speech performances are shown simultaneously. The irritation caused by the stuttering sound results in a new onomatopoetic sound.
Jana Wisniewski
WEISSWÄSCHE
02:09
2015
Zur mangelnden Wertschätzung von Arbeit, Wissen und Kreativität wollte ich ein Dramolett fabrizieren. Die Waschmaschine half mir dabei, denn einige Geräusche klingen wie Schüsse, andere wie rauschender Wildbach und rotierende Maschinen:
WEISSWÄSCHE:
Ihr Trendfabrikanten – mit eurem Investorensubventionierungsprogramm – den Trugbildregisseuren – Ausgrenzungsvorbildern – der Fernbedienungswahlfreiheit – der Kompetenzvernichtungsmaschinerie – dem Verdummungstraining – den Transparenzvernebelungsgeneratoren …
Ihr betreibt Innovationsdiebstahl – zeichnet Bewußtseinsverbildungsapps aus – bestellt Versklavungsexpertisen – und ordnet das Mitbestimmungsbegräbnis an – plus Umverteilungssterbehilfe.
Das alles funktioniert mit Erpressungslegalisierung – im Ausbeutungsstandard – dank Schuldengenerierungspolitik.
Das Grundrechtsaushebelungsgeschäft – blüht im Informationsverweigerungsdiktat – und fördert das Datenspionagegeschäft.
Die Finanzstrategenreligion – verteilt den Investitionsentscheidungsvirus – und produziert Arbeitslosenmaximierung – bei Korruptionsbekämpfungsstop – und Infrastrukturdezimierung.
Das folgende Kapitel mit Arbeiten von Studierenden am Institut für Malerei und Animationsfilm entstand in Zusammenarbeit mit der Universität für angewandte Kunst Wien und wurde von Nikolaus Jantsch kuratiert.
17:00 – 18:00
Maria Chalela-Puccini
AN EDUCATED WOMAN
03:30
2015
This is a 3 episode series turned into a three minute film about society and education, and how these defines or not our identity.
1. Episode: An educated woman
2. The factory
3: The absurdity of a self-portrait
All handmade with gouache on glass and board. 2014- 2015
Alexander Gratzer
ESPRESSO
05:21
2015
Music/sound: Alexander Gratzer
Konzept, Animation, Realisation: Alexander Gratzer
MISTER WAITER? ONE MORE ESPRESSO PLEASE. NOBODY‘S COMING. IS THERE SOMEBODY? WHO IS WHO? IN THIS URBAN CAFÉ.
SOME PEOPLE WAIT FOR ANSWERS, OTHERS FOR COFFEE.
Josephine Hedegaard
THE STRANGER
01:46
2014
Music/sound: Barbara Fiig
Ein Kurzfilm über Freundlichkeit, Versuchung, Undankbarkeit und Fehler. Eine Fremde will einem Fremden helfen, aber anstatt auf Dankbarkeit trifft sie auf Enttäuschung.
Silvia Knödlstorfer
WAY HOME
04:36
2017
Music/sound: Philipp Feichtinger
A little boy is on his way home from his first day of school, suddenly he loses his glasses and an intriguing adventure starts. He finds himself in a bizarre blur world full of monsters and ghosts.
The strange creatures pretend they want to show him the way home. Following their lead, a dangerous threatening trip is about to begin.
Jiyoon Lee
INSOMNIA
04:00
2017
A cat comes home from work, and is exhausted. She goes to bed, and finds herself in a weird dreamworld full of fantastic elements. Suddenly an uninvited visitor appears and tries to catch the cat.
Xenia Ostrovskaya
DRUM & BASS
03:48
2015
Music/sound: Princess Angine
A political film about the indifference of good and evil, black and white, accompanied by Xenia Ostrovskaya’s song “Mistaken”.
Xenia Ostrovskaya
PRINCESS DISASTER MOVIE
03:27
2014
Music/sound: Princess Angine
Once upon a time there was a princess, that stepped on a jelly and found an emerald in the sea before she got eaten by a shark. This caused an atomic war, a species extinction, a gene mutation and a tower fall. All in 3 minutes 24 seconds.
PRINCESS DISASTER MOVIE is the first animation to the music of the author by the Austrian artist and musician of Russian origin, Xenia Ostrovskaya. The film is a reflection on getting older by example of rise and fall of invented civilizations. The film was made in the studio of experimental animation film at the University of Applied Arts in Vienna in 2013-2014.
Miryana Sarandeva
THE GARDEN
03:30
2015
Voice: Stuart Freeman
Tim explores a garden in his dreams in the company of a three foot tall cockroach. He must face his fear and finally share the secret of the garden.
Florentin Scheicher
NACHTS
04:00
2015
Visualisierung eines nächtlichen Wanderwegs durch die beleuchteten Straßen Wiens. Lang belichtete Fotos wurden in After Effects in einen 3D-Raum zusammengesetzt und auf den Sound von my pander shell fly abgestimmt.
Florentin Scheicher
TRAUMSEQUENZ
01:56
2015
Music/sound: Florentin Scheicher
Kamera: Dominik Leski
Die Animation ist die Visualisierung eines intensiven und nie verstandenen Kindheitstraums. Es geht um Größenunterschiede, die wir uns nicht vorstellen können. Eine Konfrontation, die uns zeigt, wie unbedeutend wir sind im Vergleich zu dem, was sich außerhalb des irdischen Lebens abspielt.
Birgit Scholin
DAS REALE IST NICHT UNMÖGLICH
10:00
2015
Music/sound: Ralph Wakolbinger, Wolfram Leitner
Compositing: Ernst Miesgang
Colour by: Mario Seidl
In Anlehnung an Gilles Deleuzes Konzept der Wunschmaschinen sucht der Held der Geschichte Anschluss. In einer technifizierten Realität wollen Kabel, Steckverbindungen, Drähte, Brüste und Münder an die Weltmaschine angeschlossen sein. Im Wunsch existiert nicht nur der Mangel, sondern das Reale: das Reale ist nicht unmöglich, in ihm ist und wird vielmehr alles möglich.
Studio für experimentellen Animationsfilm – Gruppenarbeit
STOP THE PIGEON
03:04
2015
Amelie Schlögelhofer, Anna Nagy, Anna Schmoll, Maria Chalela-Puccini, Marissa Wedenig, Nina Gospodarek, Verena Preininger, Veronika Abigail Beringer, Thomas Zuber
This film was made during the animation film workshop with Osbert Parker.
Abteilung für Malerei und Animationsfilm – Univ. Prof. Judith Eisler. In Kooperation mit der Abteilung KKP- Univ. Prof. Barbara Putz-Plecko. Universität für Angewandte Kunst 2015.
Lukas Uvacek
LIVING ROTATIONS
05:00
2017
In dem animierten Kurzfilm LIVING ROTATIONS lasse ich die Protagonisten in einem fiktiven Weltsystem auftreten, wobei ich durch die Darstellung ihrer Körper mit der Vorstellung einer perfekten Vereinigung des natürlich Organischen und des künstlich Mechanischen spiele.
Felix Weisz
ALBERT
07:00
2016
Sound Design: Philipp Feichtinger
Director, Script, Animation: Felix Weisz
Editing: Elisa Maier
Synchron: Sophie Vitovec, Markus Freistätter
Albert makes a composed impression. He wears a tie and shirt, from which neatly trimmed chest hair somewhat playfully flashes through. A tribal tattoo decorates his chest. It is large enough to hint at an audacity oriented on the mainstream, and thereby small enough to avoid seriously affronting anyone. In overall appearance, Albert is a slightly spidery computer-animated figure, who moves through life against a – likewise computer-animated – structurally-minimalist background.
Albert’s world is black, white, and very gray. He diligently waters the plants on his rooftop terrace before going to work. At this point, the protagonist´s other side opens up as he tenderly says goodbye to his pregnant wife after having a meal together. By profession, Albert is a torturer. He is someone who reproduces everyday movements in his professional life, and vice versa. The watering can thus proves to be not only an object for sprinkling water during one´s free time, but also a tool for waterboarding – the same applies to the pliers, which Albert uses to pinch tomatoes off of the local plant as well as the fingers of his victims. Albert listens to Händel, displaying a stoic professionalism as he forces confessions from people. One of the strengths of this animation movie is that director Felix Weisz does not even rudimentarily provide the motives for Albert’s choice of professions. This refusal abandons viewers in humanistic perplexity – nothing helps, not even the philosophical books that Albert, his wife, and a work colleague are studying. (Melanie Letschnig, translation: Lisa Rosenblatt)